CHRISTINE PARK GALLERY is pleased to present Ancestors/Descendants, a solo exhibition featuring a new body of work by Xyza Cruz Bacani. This Online Exhibition presents a tightly curated selection of 24 photographs taken in the Philippines between 2020 and 2021 while Xyza Cruz Bacani was staying in her homeland documenting life during the COVID-19 pandemic. Wanting to spotlight the beauty of humanity during an unprecedented time and to document the events surrounding her, this exhibition showcases 8 color photographs taken in her village, Bambang, Nueva Vizcaya, and 16 black-and-white photographs from her iconic Project Ugnayan. Commissioned by Ayala Corporation, Project Ugnayan provided food aid relief to 2,837,367 families in the Greater Manila Area through the distribution of food vouchers and packages. Shot during the first months of the pandemic, Xyza Cruz Bacani’s Project Ugnayan series celebrates the generosity and courage of frontline volunteers who delivered food to those in need during this health crisis. Each photograph featured in the exhibition holds on to a moment in time, depicting the realities of pandemic life to show future generations.
This Online Exhibition aims to bring to life the narrative unfolded by Xyza Cruz Bacani, who published this Artist Statement recalling the times she spent in her hometown with her family and fellow villagers as they were engaged in a fight against the pandemic. A part of the Project Ugnayan photographs in this exhibition is currently featured in the duo exhibition, Pilipinas Ngayon. Filipinas ahora. at the Museo Nacional de Antropología in Madrid from 28 January to 12 June 2022, and will be shown in the Gallery’s art fair booths at Beijing Dangdai and Taipei Dangdai from 19-22 May 2022.
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Xyza Cruz Bacani
Shopkeeper, 2020Giclée print on Hahnemühle Photo Rag Paper
16 x 20 in
40.6 x 50.8 cm
Edition of 10 plus 3 artist's proofs -
Xyza Cruz Bacani
The vegetable delivery truck arriving in L. Chacon, Tondo, Manila, 2021Giclée print on Hahnemühle Photo Rag Paper
16 x 20 in
40.6 x 50.8 cm
Edition of 10 plus 3 artist's proofs -
Xyza Cruz Bacani
Zeny Elan inside the shipping container they made into a home on their farmland in Kasibu, Nueva Vizcaya, 2021Giclée print on Hahnemühle Photo Rag Paper
16 x 20 in
40.6 x 50.8 cm
Edition of 10 plus 3 artist's proofs -
Xyza Cruz Bacani
The Power of Blue, 2020Giclée print on Hahnemühle Photo Rag Paper
16 x 20 in
40.6 x 50.8 cm
Edition of 10 plus 3 artist's proofs
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Being a transnational citizen means having my heart scattered in different places. It can be a gift, but the pandemic has made it almost a curse. When the pandemic started, I was in the Philippines on a short visit that turned 19 months away from my art community friends, and I felt isolated. My heart was broken repeatedly as news of friends, acquaintances, and community members succumbed to the virus.
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Before Covid, I was a visitor to my own home, viewing it from an outsider's lens as I spent more time traveling and documenting different cities and countries. Since I left the Philippines to work in Hong Kong when I was 19, I have never really returned. The pandemic that upended lives forced me to stay and become part of my hometown. I returned to the place of my ancestors and started documenting the lives of the people I grew up with, our neighbors, and the place that was once just a memory.
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The way I view the world has evolved because of the pandemic's uncertainties. When it started, I was as scared as everyone else, but I decided to document it because I am doing it for my descendants. I documented healthcare workers' who bravely combat the unseen enemy; women's issues like homebirth and farmers who suffer from food insecurity.
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As an artist with the facts, I subscribe to the tradition and ethics of journalism. I let things happen and never intervene, but when documenting a pregnant woman who needed to be in the hospital. I felt at that moment that, given the circumstances, I needed to help. I was reminded that I am human first before I am a photographer. As an ancestor, the life saved that day is more important than an image.
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Why do we do the things we need to do? If not for us, then for who? This series of images is about my hometown in the Philippines during the pandemic.
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I became an ancestor to my homeland. It guided my process, as it is not about me anymore but about those who will come after me. I felt the urgency to spotlight these stories for the future generation because tomorrow is never promised.
Xyza Cruz Bacani, New York, March 2022
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This exhibition is supported by Ayala Corporation and FujiFilm USA.
All works are sold unframed, and all prices are subject to local taxes. After the first two editions, the price of each print will be adjusted accordingly. Therefore it is highly encouraged to register your interest as early as possible. Please reach out to Christine Park at christine@christinepark.net for all enquiries related to acquisitions.
For further information or press inquiries, please contact the Gallery at christine@christinepark.net or WeChat Official Account (ID: cpgallery).
ABOUT THE ARTIST
Xyza Cruz Bacani (b.1987) is a Filipina author and photographer based in Hong Kong and New York who uses her work to raise awareness about under-reported stories.
Having worked as a second-generation domestic worker in Hong Kong for almost a decade, she is particularly interested in the intersection of labour migration and human rights. She is one of the Magnum Foundation Photography and Social Justice Fellows in 2015, has exhibited worldwide, and won awards in photography.
Xyza Cruz Bacani is also the recipient of a resolution passed by the Philippines House of Representatives in her honour, HR No.1969. She is one of the Asia 21 Young Leaders (Class of 2018), the WMA Commission grantee in 2017, a Pulitzer Center and an Open Society Moving Walls 2017 grantee. She is one of the BBC’s 100 Women of the World 2015, 30 Under 30 Women Photographers 2016, Forbes 30 Under 30 Asia 2016, Fujifilm ambassador and author of the book We Are Like Air.
